Showing posts with label hardcore rap. Show all posts
Showing posts with label hardcore rap. Show all posts

7/7/09

Neek The Exotic - Exotic's Raw (2003)

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Neek is one of those dudes that should have blown up but never really did. It wasn't that he was a great lyricist or anything, but he always brought a shitload of energy to the mic. I could do without the corny chorus with the raspy voice shit, but the rest is raw as sushi. Produced by Large Pro, you know the beat is at least acceptable. Dope sh*t which u need to have it in your collection!

1.Intro
2.N.E.E.K.
3.Prepared To Get Stomped
4.Make That Money feat. Royal Flush
5.Don't Stop
6.Exotic's Raw feat. Large Professor
7.Backs "N" Necks
8.Cake Up feat. Da Blak Boyz
9.Letter To Ma feat. Jasmine Lowther
10.Hardcore feat. Large Professor
11.Straight Out To Get It feat. Da Blak Boyz
12.Queens Anthem
13.The Mothafuckin Man feat. Joe Flav
14.This Here's Gangsta feat. Royal Flush, Universal

DOWNLOAD - rapidshare.com

7/5/09

Critical - Medical Records (2008)

When you hear Orlando, FL, you may stereotype it with theme parks, boy bands, and vacation. Beneath the surface, however, lies a solid hip-hop scene that would make true believers proud. Enter Critical Madness (CM): the combination of emcess cRITICAL and Madness, two minds put together to create raw music with intricate concepts and pure lyricism, reminiscent of hip-hop's golden era. With both hailing from Central Florida, it was only a matter of time before they crossed paths in the southeastern Battle Circuit thus spawning Critical Madness.

Their Fat Beats distributed and TEMPERMENTAL produced debut single "1st Amendment" (ft Sabac Red of Non Phixion)/"Dropped" was sold worldwide and reached its peak at Number 2 on College radio and www.RapAttackLives.com in early 2006. They have shared the stage with the likes of The Beatnuts, Little Brother, dead prez, Memphis Bleek and others. Critical Madness has also interviewed and rocked mics on various radio shows and even DJ Eclipse's "Halftime 8 Year Anniversary Show" alongside legends and more. You can find them on numerous DVD's including Proof & Bizarre of D12's "Who Wanna Battle?" and "Underground Session" Vols. 1 &2. Their current release, "Finding The Plot" is a mix of 17 original tracks sure to keep the streets melting until their official debut "Bringing Out The Dead" is released to the masses. With many more collaborations (Joell Ortiz, Yah-Yah & Young Zee of the Outsidaz, Little Vic, Butta Verses, producer extraorinnaire The Mighty V.I.C., Marco Polo, Domingo, TzariZM, and more) and their debut on the horizon, there looks to be an even brighter future for these two unique individuals. This is only the beginning.

1. Dr. Comfort's Sintroduction (Intro) (Produced By: Ide)
2. Reality's Strange (Produced By: DJ Connect)
3. Perspective feat. TzarizM (Produced By: TzarizM)
4. Remember (Produced By: TzarizM)
5. Show Somethin (Produced By: DJ Kryptonite)
6. Class In Session feat. Ide (of Creative Juices) (Produced By: DJ Kryptonite)
7. Contamination feat. Midaz The Beast (Produced By: Ide)
8. Iron Horse feat. Savage Messiah (formerly of Scienz of Life), Thirstin Howl III (Produced By: Ide)
9. Take (Interlude) (Produced By: DJ Kryptonite)
10. In The Cut (Produced By: DJ Kryptonite)
11. Whatcha Say feat. Little Vic (Produced By: Little Vic)
12. Jewelz Of The Trade (Interlude) (Produced By: DJ Kryptonite)
13. Lightz Out feat. Madness, Butta Verses (Produced By: TEMPERMENTAL)
14. Permanent Discussion (Produced By: DJ Kryptonite)
15. Do It Again (Interlude) (Produced By: DJ Kryptonite)
16. Medical Records (Produced By: TzarizM)
17. Spirit Drain (Interlude) (Produced By: Ide)
18. Medicine Cup (Produced By: Ide)
19. Surgeon Generalz feat. Ide (of Creative Juices), Jise (formerly of Arsonists), Alucard, L.I.F.E. Long (Produced By: Ide)
20. Behind The Speaker (Produced By: Ide)
21. Dead Tired (Outro) (Produced By: DJ Kryptonite)

Big Pun - Yeeeah Baby (2000)

Arriving just two months after his death from a heart attack, Big Pun's second albumYeeeah Baby proves the rapper's demise was doubly tragic. Of course, the death of anyone at a young age is a tragedy in itself, but Yeeeah Baby displays an artist evolving beyond his previous work with remarkable ease. On the highlights "Watch Those," "Off Wit His Head," and "New York Giants," Pun spits out inventive rhymes and paces his delivery with excellence, more than proving that he should be considered in the top-ten list for late-'90s MCs -- among considerable competition (DMX, Jay-Z, Method Man). He also salutes his Latin heritage all over the album, switching from street slang to Latin lingo without batting an eye, and working a flute charanga sample on "100%." Despite a variety of track-masters throughout the album, Yeeeah Baby is quite seamless, thanks no doubt to friend and partner Fat Joe (the executive producer) as well as Pun himself. He would've been proud.

01. The Creation (Intro)
02. Watch Those
03. Off Wit His Head (Feat. Prospect)
04. It's So Hard (Feat. Donell Jones)
05. We Don't Care
06. New York Giants (Feat. M.O.P.)
07. My Dick
08. Leather Face
09. Air Pun (Skit)
10. 100% (Feat. Tony Sunshine)
11. Wrong Ones
12. Laughing At You
13. Nigga Shit
14. Ms. Martin (Feat. Remy Martin)
15. My Turn
16. You Was Wrong

7/1/09

Special Teamz - Stereotypez (2007)

Special Teamz is a Bostonian supergroup as multi-faceted as they are multicultural, led by the O.G. of Boston hip-hop, Edo G; Jaysaun, a former member of the Kreators; and fellow Boston stalwart and transplant Slain (The White Man Is the Devil, Vol. 1). Collectively having worked with a deep pool of some of the finest mainstream and underground hip-hop words and beatsmiths (KRS-One, Common, Black Thought, Masta Ace, Guru, Cappadonna, Royce da 5'9, and others), the Boston representatives signed with Duck Down, the indie label run by Boot Camp Click henchmen Buckshot and Dru Ha. Their label debut,Stereotypez, featured production from legends Pete Rock and DJ Premier, as well as rising stars like Marco Polo.

1.) Get Down (produced by Young Cee)
2.) Three Kingz (produced by Young Cee)
3.) Stereotypez (produced by Ill Bill)
4.) Boston To Bucktown feat. Sean Price & Buckshot (produced by Pete Rock)
5.) Classical (produced by DJ Shocca)
6.) Main Event (produced by DJ Premier)
7.) Long Time Comin feat. Devin The Dude (produced by Xplicit)
8.) Home 2 feat. Akrobatik, Dre Robinson, JY, Twice Thou & Frankie Robinson (produced by Young Cee)
9.) Clap Your Handz (produced by Young Cee)
10.) Story Of My Life feat. JY (produced by Yomo)
11.) Fallen Angels feat. D Guest (produced by Jake One)
12.) One Call (produced by Marco Polo)
13.) Fight Club (produced by Moss)
14.) Dirty Money feat. Ill Bill (produced by Young Cee)
15.) Pushaman (Produced by D Boyz)
16.) Race Riot (produced by Good Will)
17.) Gun In My Hand f/Jamey Jasta of Hatebreed (produced by Jamey Jasta & Matty Trump)

6/30/09

Recordkingz - Heavyweight (2009)

Heavyweight piles into the hip-hop fray in a very similar way to Jake One’s White Van Music last year. By this I mean that it finds a talented producer hooking up with a host of talented MCs and dropping dope phatness. It’s even possible that Juliano (formerly one half of 90s duo The Creators), arguably has the edge on Jake One and that this has the potential to give a kick up the arse to a few flagging careers, proving once again that the music industry (and to some extent the public’s) obsession with rapper-cult-of-personality is forgetting one vital thing. It doesn’t matter how good the lyrics, nobody ever danced to poetry. When was the last time you heard a proper jump-up hip hop track anyway? The underground has been plagued by masturbatory production for too long - even if there has been some lyrical insanity. On the other hand, the mainstream shits out club beats like its got diarrhoea – but is plagued by lyrical inanity. This isn’t to say that everything on here will light fires under people’s feet – simply that Juliano remembers one of the key original premises of hip-hop. Move the crowd.

01. The Heavyweight Muthaf**ka (Feat. Portobello Dave) (Skit)
02. I Cried (Feat. Tragedy Khadafi)
03. Take A Walk With Me (Feat. Joell Ortiz)
04. Do You Feel It (Skit 1)
05. Rock Ya Shoulders (Feat. The Beatnuts)
06. Hip Hop Throwback (Feat. Guilty Simpson)
07. Playin To Lose (Feat. Little Brother)
08. Scratch And Chop (Skit 2)
09. This Is 4 My Peoples (Feat. Evidence)
10. Heat (Feat. Mobb Deep)
11. Da Money (Feat. Glasses Malone)
12. Pay Your Respects (Feat. Problemz)
13. Keep It Coming (Feat. Craig G Will Pack And K Major)
14. Get High (Skit 3)
15. Bad Cats (Feat. Phil Da Agony Montage And Mo Money)
16. Juliano On The Cuts (Skit 4)
17. You Been Warned (Feat. Aasim)
18. Keep On (Feat. Chalice And Ruk)

6/29/09

Mobb Deep - The Infamous (1995)

One of the cornerstones of the New York hardcore movement, The Infamous is Mobb Deep's masterpiece, a relentlessly bleak song cycle that's been hailed by hardcore rap fans as one of the most realistic gangsta albums ever recorded. Given Mobb Deep's youthful age and art-school background, it's highly unlikely that The Infamous is drawn strictly from real-life experience, yet it's utterly convincing, because it has all the foreboding atmosphere and thematic sweep of an epic crime drama. That's partly because of the cinematic vision behind the duo's detailed narratives, but it's also a tribute to how well the raw, grimy production evokes the world that Mobb Deep is depicting. The group produced the vast majority of the album itself, with help on a few tracks from the Abstract (better known as Q-Tip), and establishes a spare, throbbing, no-frills style indebted to the Wu-Tang Clan. This is hard, underground hip-hop that demands to be met on its own terms, with few melodic hooks to draw the listener in. Similarly, there's little pleasure or relief offered in the picture of the streets Mobb Deep paints here: They inhabit a war zone where crime and paranoia hang constantly in the air. Gangs are bound together by a code of fierce loyalty, relying wholly on one another for survival in a hopeless environment. Hostile forces -- cops, rivals, neighborhood snitches -- are potentially everywhere, and one slip around the wrong person can mean prison or death. There's hardly any mention of women, and the violence is grim, serious business, never hedonistic. Pretty much everything on the album contributes to this picture, but standouts among the consistency include "Survival of the Fittest," "Eye for a Eye," "Temperature's Rising," "Cradle to the Grave," and the classic "Shook Ones, Pt. 2." The product of an uncommon artistic vision, The Infamous stands as an all-time gangsta/hardcore classic.

1 "The Start of Your Ending (41st Side)"
2 "[The Infamous Prelude]"
3 "Survival of the Fittest"
4 "Eye For An Eye (Your Beef Is Mines)"
5 "[Just Step Prelude]"
6 "Give Up the Goods (Just Step)"
7 "Temperature's Rising"
8 "Up North Trip"
9 "Trife Life"
10 "Q.U.--Hectic"
11 "Right Back at You"
12 "[The Grave Prelude]"
13 "Cradle to the Grave"
14 "Drink Away The Pain (Situations)"
15 "Shook Ones Pt. II"
16 "Party Over"

King Tee - Thy Kingdom Come (1998)

This album was origionally supposed to have dropped on Dr. Dre's Aftermath label, but unfortunatly this never got through and the album ended up recieving far too little attention.

The album is bangin, with production from Fred Wreck, Dr. Dre, Battlecat, DJ Quik ,Budda and Mike Dean.
And with other appearences consisting of Ice-T, Playa Hamm, MC Ren, Baby S, El DeBarge, Frost, Tray Deee, Too Short and Shaq there os no shortage of top-notch side artists either!

This is a must-have for any westcoast rap fan...

01 Intro
02 Speak On It
03 Stay Down
04 Squeeze Yo Balls
04 Monay
05 The Chron
06 Big Boyz
08 Let's Make A V
09 Tha Game (It's Ruff)
10 Real Raw
11 2 G's From Compton
12 Shake Da Spot
13 6 N 'Na Moe'nin'
14 Step On By
15 Big Ballin' (Playin' 2 Win)
16 Where's T
17 Nuthin Has Changed
18 The Original

6/28/09

Cocoa Brovaz - The Rude Awakening (1998)

Once the Smith & Wesson gun company realized there was a pair of rappers performing under the name "Smif-N-Wessun," the duo had to change their name. They chose Cocoa Brovaz and released their second album, Rude Awakening (possibly a reference to their legal troubles), under that moniker in the spring of 1998. All things considered, the legal mishap was little more than a speed bump for the duo; the end result is every bit as good as their first effort, if not better. The pair of hardcore gangstas are still hurt by their reliance on clichés -- when it comes right down to it, they aren't offering any new insights, they're simply redoing the standard dope-money-guns-n-hoes line -- but they're saved by their energy and hard-hitting delivery. Usually, that makes the standard-issue music fairly compelling, but there are moments that drag on Rude Awakening, although not as many as on Smif-N-Wessun's Dah Shinin'. In other words, it's an improvement and a step forward in Cocoa Brovaz developing their own identity.

01. Off the Wall
02. Still Standin Strong
03. Won on Won
04. Live at the Garden (Skit)
05. Blown Away
06. Money Talks
07. The Cash
08. Black Trump
09. Dry Snitch
10. Game of Life
11. Back 2 Life
12. Bucktown Usa
13. What They Call Him (Skit)
14. Hold it Down
15. Spanish Harlem
16. Myah Angelow
17. Memorial


Defari - Focused Daily (1999)

With a day job as an Inglewood, CA high school teacher, and with a master's degree from Columbia University, Defari Herut (a.k.a. Duane Johnson) defines the term "hip-hop scholar." His straightforward rhyming style emphasizes positivity, and on "Never Lose Touch," he even gives thanks to his mother in the chorus. Although overly employing braggadocio tactics in dissing lesser rappers, his clever verses ("lyrics shine time after time, brighter than briquettes") on tunes like "Likwit Connection" make up for the shortfall.

1 Intro
2 Focused Daily (feat. Evidence)
3 Never Lose Touch
4 Keep It On The Rise
5 Lowlands Anthem Part 1
6 Bionic
7 Likwit Connection (feat. Phil Da Agony & Tha Alkaholiks)
8 Yes Indeed
9 Killing Spree
10 These Dreams
11 Juggle Me (For The Dj's)
12 Thunder And Lightning (feat. Xzibit)
13 405 Friday's
14 Checkstand 3
15 No Clue (feat. Chocolate Tye)
16 Gems
17 People's Stand

Das EFX - Straight Up Sewaside (1993)


By the time Sewaside saw the light of day, the public hadn't fully absorbed Das EFX's innovative debut, Dead Seriuous. The hardcore rap game had barely caught up with the brilliance of their rapid-fire vocal delivery and sample-laden beats. But then again, another crew from Staten Island emerged in 1993 and took the rap game by total storm, leaving the genius of Sewaside somewhat overshadowed by their dominance. However, this change in climate shouldn't overshadow Sewaside as a crucial record in the Das EFX canon. While the duo's methods of madness were slowly emulated by a large plethora of MCs, Das EFX stayed with the same effective blueprint laid down in Dead Serious. By maintaining this consistency, Sewaside lacks the punch in the gut that Dead Serious delivered, but it's still a solid record that completists and newfound fans will equally enjoy.

01. Intro
02. Undaground Rappa
03. Gimme Dat Micraphone
04. Check It Out
05. Interlude
06. Freakit
07. Rappaz
08. Interview
09. Baknaffek
10. Kaught In Da Ak
11. Wontu
12. Krazy Wit Da Books
13. It's Like Dat
14. Host Wit Da Most (Rappaz Remix)

Champ MC - Ghetto Flava (1995)


1. Intro
2. Here I Come
3. Catchin' Wreck
4. Funk House
5. Niggaz? Murder Mine
6. Time 2 Roll
7. Do U Know My Style
8. Stressin' Me
9. Interlude #3
10. Keep Shit on the Real
11. G-Funk
12. Neighborhood Sniper
13. Interlude #2
14. Cruzin' - Yo-Yo
15. Sistas Betta Recognize - Michael Speaks
16. Ghetto Flava
17. Outro

Busta Rhymes - The Coming (1996)

Busta Rhymes delivered his debut album, The Coming, three years after the Leaders of the New School unofficially disbanded, and it reflects the change in hip-hop between 1993 and 1996. The Coming is indebted to the slow, spare, and quietly menacing funk and soundscapes of the Wu-Tang Clan — in fact, Ol' Dirty Bastard appears on one of the album's most infectious tracks, the single "Woo Ha!! Got You All in Check." Busta Rhymes, like Ol' Dirty, is a surreal, inspired rapper, but his skills are on a whole different level. Though his talents were evident on the Leaders of the New School records, Busta Rhymes has never had such an impressive showcase for his rhymes as he does on The Coming. Busta doesn't have a deep message in his raps, but he twists words and phrases around with an insane, invigorating flair. Like many hip-hop albums of the mid-'90s, The Coming is padded with too much material, but Busta Rhymes' brilliant raps keep the record from sinking during its monotonous passages.

01 The Coming (Intro)
02 Do My Thing feat. Trevor Smith & DJ Scratch
03 Everything Remains Raw
04 Abandon Ship
05 Woo Hah!! Got You All in Check
06 It's a Party
07 Hot Fudge
08 Ill Vibe
09 Flipmode Squad Meets Def Squad
10 Still Shining
11 Keep It Movin
12 The Finish Line
13 The End Of The World (Outro)


Das EFX - Dead Serious (1992)

Das EFX — part of EPMD's Def Squad crew, which also included K-Solo and Redman, among others — made such a wide breakthrough in 1992 with their debut album that their hit "They Want EFX" was even referenced in the lily-white teen serial Beverly Hills 90210. That Dead Serious could have that sort of broad impact and still retain its credibility within the underground hip-hop community says something about its appeal, which was considerable. But the album wasn't just appealing; it was also enormously influential, ushering in an entirely unique rhyming flow that influenced any number of rappers, established and novice alike. What exactly the duo is rapping about is anyone's guess. One thing is for sure: their lyrics are about as far removed from hardcore realism as they could possibly be, and although there are certain elements of boasting, it is so cut up and contorted that it never sounds like there's even a hint of the humdrum here. None of the lyrical clichés that can occasionally bog down even the finest hip-hop artist are present. Members Dre and Skoob(tellingly, "books" spelled backward) instead engage in lightning-fast, tongue-twisted word association and stream-of-consciousness rants rich in pop cultural references and allusions. It was a completely original rhyming style in 1992 — one of the reasons it had such an impact both in the insular world of hip-hop and on the wider public — but it also had an invigorating looseness that lent itself to commercial radio. "They Want EFX" is clearly the creative highlight of the album; the other songs work the same basic template, and each one is nearly equal in execution and charm, particularly the jaunty "Mic Checka" and "Jussummen."

01. Mic Checka
02. Jussummen
03. They Want EFX
04. Looseys
05. Dum Dums
06. East Coast
07. If Only
08. Brooklyn To T-Neck
09. Klap Ya Handz
10. Straight Out The Sewer

Cormega - The Testament (2005)

Cormega's long-unreleased debut album, The Testament, finally got an official release in 2005 after nearly a decade of bootlegging. It's not quite the masterpiece it's been rumored to have been, but it's a great album nonetheless, especially for a debut -- a fascinating relic of the mid-'90s East Coast gangsta scene that spawned a number of classic debut albums, among them those of the Notorious B.I.G., Nas, Jay-Z, Mobb Deep, and Raekwon. The back-story goes like this: Cormega burst on the scene in 1996, when he guested on "Affirmative Action," a high-profile posse cut from Nas' sophomore album, It Was Written. He was fresh from prison, in a gangsta state of mind, and lyrically gifted. Def Jam brought him aboard quickly, and The Testament was the result, except it never saw the light of day, shelved for years until Cormega obtained the rights to the tapes and finally released the album on his own Legal Hustle label in 2005. Clocking in at a dozen songs in 40 minutes, the released Testament is unchanged from its original version. Cormega wanted it released as it had been intended, and the result is a raw, emotional work by a young man with a lot on his mind and blessed with the means of rapping it eloquently. The production is handled by an array of beatmakers, among them Nasheim Myrick, Sha Money, and Havoc, and the pervading aural mood is somber and foreboding, very much in step with the mid-'90s East Coast gangsta style, especially that of Mobb Deep. Though there aren't any particularly standout tracks here (perhaps why Def Jam balked), there isn't any filler either. Every track here is part of the bigger picture, exploring a different mood and telling a different tale, and guests are few and far between. Again, though The Testament isn't quite up there alongside the half-dozen or so masterpieces of its era, like Ready To Die or The Infamous, it's definitely up there -- one of the best mid-'90s gangsta albums, no doubt. Too bad it took so long to get the album released -- too bad for Cormega above all, for one senses that The Testament would have made a strong impression during its time, even if it wouldn't have been a big commercial hit (it lacks a pop edge -- again, not unlike Mobb Deep in particular). Heads would have loved it, for sure, as would have the streets, and thankfullyThe Testament can now get its due, albeit belatedly.

01. Intro
02. '62 Pick Up
03. One Love
04. Interlude
05. Angel Dust (Feat. Havoc)
06. Dead Man Walking
07. Montana Diary
08. Testament
09. Testament (Original Version)
10. Every Hood (Feat. Fatal Hussein)
11. Coco Butter
12. Killaz Theme (Feat. Mobb Deep)
13. Love Is Love
14. Dead Man Walking 2

Double X - Ruff Rugged N Raw (1995)

1. Ruff Rugged N Raw
2. Wreckin' It
3. Money Talks
4. Stop That Playin'
5. He Asked For It
6. Wicked & Wild
7. Make Some Noise
8. Ghetto Life
9. Knock It Off Will Ya
10. F.F.F.F.
11. Sunshine
12. 8 Bars Of Terror

6/27/09

Ra The Rugged Man - Die Rugged Man Die (2005)


01. Lessons (Feat. Sadat X)
02. Casanova (Fly Guy)
03. A Star Is Born
04. Chains (Feat. Killah Priest & Masta Killa)
05. Dumb
06. On The Block
07. How Low
08. Mitch Blood Green (Interlude)
09. Midnight Thud
10. Black And White (Feat. Timbo King)
11. Brawl
12. Die, Rugged Man, Die!!
13. Pick My Gun Up (Skit)
14. Da' Girlz, The Luv Me
15. Make Luv Outro